Originally written for IdeasTap.
On Chapel Street, “every week it’s shit”.
Same people, same bars, same drinks. Or so we’re told by Joe and Kirsty, both out on a Friday night and each with their own reasons to seek oblivion. Through these two characters, Luke Barnes’ viciously funny and quietly devastating two-hander sketches out a searing, booze-stained portrait of the Pro-Plus generation, grabbing at their next energy kick while putting off tomorrow.
In a culture that seems determined to paint its youth as violent rioters and benefit-sponging lost causes, Barnes and his characters are paradoxically both embodying and kicking out against those stereotypes. There are shots, kebabs and smashed glass, but there are also concealed depths peeking through the fake-tan facades. Kirsty, it transpires, has ambitions to go to university and would rather go on holiday to Paris than to Kavos; Joe remains unemployed not through a desire to dodge work, but due to a dread of wasting his life in a soulless office.
Such fragments of personality are revealed through overlapping monologues spoken into microphones at opposite sides of the stage, an initially static set-up by director Cheryl Gallacher that gradually unravels into a frenetic reflection of the characters’ escalating intoxication. Performers Cary Crankson and Ria Zmitrowicz weave and stumble around the small space, making convincing and disarming drunks, yet tempering the humour with a poignant strain of vulnerability. The laughs, of which there are many, have a habit of souring in the mouth.
It is a piece that feels very much of the now, offering grim reality but few solutions. Barnes’ lyrical yet gritty language crystallises the brief euphoria and crashing despair of a whole swathe of young people emerging into a world that seems not to want them, with references to useless master’s degrees and the lie of an Olympic “legacy” that delivers very little opportunity. In a telling touch, we are told that the local church has been converted into a bar – home of the new religion. As Joe and Kirsty argue, with the way things are, you “might as well just get fucked”.
Photo: Jassy Earl